Ciao Patrick! Although Italy cannot claim St. Patrick as their favorite son, Patrick’s parents were citizens of Rome so it’s easy for Italians to translate the green in their flag to the “wearin of the green” on St. Patrick’s Day. There are many Irish pubs in Italy and you can be sure they will be serving Guinness on draught and Irish whiskey on March 17th along with pasta and pizza and Irish Espresso. Take a St. Patrick’s Day tour of Italy beginning with Italy’s Celtic roots and then travel to Rome to visit its Irish churches. St. Isidore, San Clemente near the Roman Colosseum (known for its frescoes and twelfth-century mosaics), San Silvestro and St. Patrick with its Celtic design cathedral windows. A burial plaque commemorating Brian Boru’s son, King Donnchadh of Munster, can be found among the Roman columns of the 4th century basilica of St. Stefano Rotondo . He died during a pilgrimage to Rome and was buried here in 1064.
And if you listen closely you might hear the sound of bagpipes. Italy has a small but rich bagpipe tradition. The zampogna (Italian bagpipe) is part of a vibrant folk tradition in Abruzzo, Molise and Southern Italy where the zampognari (bagpipe players) appear in open air markets and in the streets during the Christmas season as shepherds that came down from the hills to celebrate and entertain the people.
March 8 is International Women’s Day, a global initiative that celebrates the social, economic and political achievements of women past, present and future. On this day the world joins hands together to support, raise, inspire and motivate women across all fields of work. In Italy the day is celebrated as Festa della Donna and fragrant bouquets of bright yellow mimosa are found everywhere as a symbol of support and appreciation for women and all they do.
Over the centuries there have been many notable Italian women who have served as inspiring examples to all. Women dedicated to their families, their parents, husbands and children with talents that have extended within and beyond their communities and enriched the common culture of our world. One such woman was Giuditta Brozzetti whose name remains attached to the weaving cooperative she founded in the Northern Italian city of Perugia.
Her story begins in the middle of the First World War. As director of elementary schools for the city of Perugia she traveled the region visiting the village schools and passing farmhouses where women working in the fields tended to the animals and harvested crops to provide for themselves and their families as their husbands, brothers and fathers were at war. Brozzetti also noted that women in the villages were skilled weavers working on antique wooden looms hand-weaving textiles in the traditional way producing fabrics and ancient patterns of great beauty. Impressed by what she saw and recognizing the value in the quality and craftsmanship of their work, Brozzetti began bringing the textiles to markets in Perugia, helping to create another form of income for the rural women.
In 1921 Brozetti founded a workshop and school in Perugia to showcase the handwork of the village women and teach the traditional hand-weaving ways and heritage patterns that dated back to Umbria’s Medieval and Renaissance textile traditions.
Today in Perugia’s San Francesco delle Donne, a deconsecrated 13th-century church, the entrepreneurial spirit of Giuditta Brozzetti lives on as a community based women’s cooperative continuing the tradition of hand-weaving following the same intricate patterns as the originals, many created on antique pedal looms. Kept alive by generations of talented, committed, entrepreneurial women creating brilliant textiles that connect modern Perugia to its rich and invaluable heritage and past.