You Can’t Keep a Good Church Down

 

San Geminiano Church
San Geminiano Church – Venice (Canaletto c. 1723-4)

The Church of San Geminiano in Venice has faced many challenges. One of great architectural  churches of Venice it has been destroyed and rebuilt several times in the course of its history. Located in Piazza San Marco, on the opposite side to the Basilica, it was among the most decorated churches of Venice in the 16th century and displayed paintings by a number of prominent artists including Tintoretto and Veronese. Described in a book of the time by Francesco Sansovino as “being lavishly decorated within and encrusted with marble and Istrian stone on the outside, extremely rich and well-conceived in design, judged by everyone to be almost like a ruby among pearls”.

Now one of the lost churches of Venice, history records it to have been first built on the site in the sixth century as a gift to Venice by the Byzantine general Narses for help given by the Venetians at the siege of Ravenna. 

The up and down history of the destruction and rebuilding of San Geminiano was effected by a series of fires, natural disasters and human whims that began in 976. In the early 13th century the church was again brought down as part of a major work on the Palazzo Ducale directed by Doge Sebastiano Ziani. The church was demolished by the Doge as it was right in the middle of the planned piazza.

During the the French occupation of the city in 1807 the church was again demolished by Napoleon to make room for the staircase of Napoleon’s Palazzo Reale.  In the Handbook for Travelers in Northern Italy published in 1842, the author wrote that the destruction of San Geminiano was an example of “Gallic vandalism” as many of the works of art inside the church were either lost or scattered between Italy and other countries, placed in other churches or sold to private collectors.

 

The Angel Foretelling Saint Catharine of Her Martyrdom
Tintoretto’s The Angel Foretelling Saint Catharine of Her Martyrdom

It is reported that an altarpiece from the church, Tintoretto’s The Angel Foretelling Saint Catharine of Her Martyrdom, had been bought by David Bowie in 1987. After his death in 2016 it was acquired by an unnamed European collector. It will return to Venice for the 2019 Biennale for an exhibition at the Palazzo Ducale. Following the exhibition, the altarpiece will remain in the Doge’s Palace on long-term loan. Proving that you can’t keep a good church, or in this case its altarpiece, down.

 

A Venetian Shadow

venice canaletto-veduta-del-canal-grande-

Just returned from from Venice whose fatal charm is still as strong as ever despite the crowded vaporetti and tourist hype. The reflected light off the water still shines as unique and beautiful reflecting onto the colors of the buildings and still magically morphs into shadows. The light of Venice is legendary. Canaletto’s 18th century scenes of  Venice’s Grand Canal play on the reflections of light and shadow. In Venice the Italian phrase bere un’ombra means “to drink a shadow” and un’ombra, “the shadow”, they are referring to is a glass of wine.

venice san marco

In the past, Piazza San Marco was filled with vendors of all kinds. At the foot of the massive Campanile across the square was a wine seller. During the day, he used to adjust his stand to stay in the shadow of the bell tower and soon “let’s go in the shade” became an in-the-know way of saying “let’s go have a glass of wine”.

The movable wine shop is no more but “drinking a shadow” remains the traditional phrase for drinking a glass of wine in the seductive city of Venice.

 

wine and venice

However un’ombra is not a typical bicchiere di vino, (glass of wine) drunk with a meal but a small glass typically ordered with *cicchetti, an assortment of appetizers or tiny snacks served at a Venetian bàcaro, a tavern or wine bar unique to Venice. Un ombra typically is an inexpensive, young wine ( vino sfuso)  sold for around 1 euro a glass in bars  served with a delicious cicchetti it is an essential Venetian ritual for a person’s health and well-being.

Small Bites in the Shade

crostini and pesto

Pesto Genovese & Sun-Dried Tomato Crostini

8 ounces Mascarpone cheese, softened
8 ounces cream cheese, softened
1 cup La Bella Angiolina Ligurian Basil Pesto
1 jar Italian Sun-Dried Tomatoes packed in extra virgin olive oil
1 loaf of rustic Italian bread
In a mixer or with wooden spoon, blend softened cheeses until smooth. Gently fold in pesto or place a dollop on top. Spread on bread slices and top with a piece of  roasted or sun-dried tomato.

polenta and cod

Grilled Polenta with Cod Fish Mousse

10 oz. dried salt cod
4 cups milk
1 medium yellow onion, halved
1 rib celery, halved
1 clove garlic, crushed
1⁄2 cup olive oil, plus more
1 1⁄3 cups Biancoperla white corn polenta
24 small radicchio leaves
2 tbsp. finely chopped parsley

Place cod in a 2-qt. saucepan, and cover by 2″ with cold water; boil for 20 minutes. Drain cod, return to saucepan, and repeat process twice more. Transfer cod to a 6-qt. saucepan and add milk, onion, celery, garlic, and 10 cups water; boil. Reduce heat to medium-low; cook until cod is tender, about 20 minutes. Drain cod, reserving 1⁄4 cup cooking liquid; discard vegetables and skin and bones from cod. Process cod and cooking liquid in a food processor until smooth. While processor is running, drizzle in 1⁄2 cup oil; continue mixing until smooth. Transfer to a bowl and season with salt and pepper; chill cod mousse.

Cook polenta according to package instructions. Transfer to a greased 12″ x 9″ rimmed baking sheet; smooth top and chill until set. Cut polenta into 2″ x 3″ rectangles; brush with extra virgin olive oil. Grill polenta, turning once, until slightly charred, about 4 minutes. Top each rectangle with radicchio leaf and a dollop of cod mousse; sprinkle with parsley. (adapted from a recipe at Saveur Magazine)

*the word cicchetti is derived from the Latin ciccus meaning very small